What future do we want to create together? How can the past and presentation of memory help to inform our present? How do we share our stories to guide our futures?
Considering the current moment, this event will give Jewish artists and cultural professionals a way to come together to learn, share and connect.
The program will emphasize networking, communal learning, and the exploration of Jewish and artistic identity and practices, providing the foundation for building resilience and leadership for Toronto’s Jewish cultural community. The day will include conversations with specialists and local artists, community-building workshops and activities, a showcase of Toronto’s Jewish arts organizations, and facilitated conversations about artistic and Jewish identity.
Speakers will represent the spectrum of Toronto’s cultural scene, including visual arts, theatre, film, music, dance, writing, curatorial, arts administration, museums, and heritage.
This event is for Jewish artists, creatives, and cultural workers, or those who produce cultural content with Jewish spaces. This event is also for culture vultures, arts supporters and patrons. Not sure if this event is for you? Please get in touch with us at info@kulturacollective.com
We are excited to welcome a group of artists, cultural producers, and educators for a series of conversations and workshops.
Aaron Henne is the founding artistic director of theatre dybbuk.
In addition, Henne's plays have been produced with a variety of companies, and his work includes King Cat Calico Finally Flies Free! (published by Original Works Publishing) and Sliding Into Hades (LA Weekly Awards for Playwriting and Production of the Year). His exploration of machines and their relationships to humanity, Body Mecanique, was developed and produced by LA Contemporary Dance Company (LACDC). Henne was commissioned by The Natural History Museum of Los Angeles County to create new pieces about the natural world for that institution’s family audiences.
His multimedia adaptation of a 12th century epic poem, collision/theory’s Blood Red Lost Head Dead Falcon: The Nibelungen, was a partner in the LA Opera’s Ring Festival LA. Mr. Henne’s investigation of Kafka’s novel The Castle, called A Man’s Home, as well as his play Mesmeric Revelation (SF Bay Area Theatre Critics Circle Award for Original Script), a clash of science and mysticism, were both developed and produced by Central Works in Berkeley, CA.
Aaron previously served as Co-Literary Manager at the Theatre @ Boston Court, Playwriting Instructor for the Robey Theatre Company, and Educational Program Director for We Tell Stories. He teaches storytelling throughout the country and has presented professional development and character creation workshops at Lucasfilm, Pixar, and Dreamworks.
With Hebrew Union College - Jewish Institute of Religion, he has been faculty for the EMA program, was the Diane Luboff Scholar at the Cutter Colloquium, and is a part of Beit HaYotzer/The Creativity Braintrust. Aaron has also served as a professional mentor at Otis College of Art and Design and as faculty for the Wexner Heritage and Graduate Programs, as well as for Georgetown University. He has worked as an educator and facilitator for a wide variety of organizations including The Hive at Leichtag Commons, Jewish Federation of North America's Young Leadership Cabinet, and The Bronfman Fellowship. Aaron is a Pilot Wexner Field Fellow and a member of the ROI community.
Dara Solomon is the Executive Director of the Toronto Holocaust Museum and the Ontario Jewish Archives. With a successful history of working in art museums and heritage institutions in Canada and the US, Dara is a storyteller, strategic administrator, fundraiser, and team builder. She led the team that developed the new Toronto Holocaust Museum. She holds a M.A. in Arts Administration from the School of the Art Institute of Chicago and a B.A. in Religion and Art History from University of Toronto.
Jennifer Podemski is a director, writer, producer, and actor. Hailing from Toronto but calling Barrie, Ontario, her home, Jennifer's artistic journey has been shaped by her rich Anishinaabe (First Nation) and Ashkenazi (Jewish) heritage.
A registered member of Muscowpetung Saulteux Nation in Saskatchewan, Jennifer has dedicated her career to amplifying authentic Indigenous stories and perspectives through her work as a storyteller.
Jennifer's acting career took flight with a standout performance as Sadie in Bruce McDonald's iconic film, Dance Me Outside. This breakthrough role garnered critical acclaim and solidified her position as a prominent figure in Canada's film and television canon.
Committed to addressing the underrepresentation of Indigenous voices in the entertainment industry, Jennifer pivoted to producing in 1999. She co-founded Big Soul Productions, a ground-breaking Indigenous-owned and operated full-service film and television production and post-production company. The company went on to produce an array of compelling content, including documentary television series, scripted short films, and the highly praised, all-Indigenous dramatic television series, Moccasin Flats, which aired on Showcase Television and APTN.
In 2005, Jennifer branched out independently, establishing Redcloud Studios Inc., where she continues to create, produce, write, and direct remarkable content. Notable works under her belt include five seasons of the captivating paranormal television series, The Other Side, and the award-winning feature film, Empire of Dirt, dramatic series Rabbit Fall and Unsettled, award winning documentary series Future History and most recently, the award-winning, critically acclaimed limited series Little Bird for Crave and APTN.
Alongside her career as a director and producer, Jennifer has maintained a presence on screen as an actor most notably on shows like Degrassi TNG, Sarah Polley’s Take This Waltz, Blackstone, Hard Rock Medical, Cardinal, the new Crave comedy series Don’t Even, and the debut feature film from directors Eva Thomas and Ryan Cooper. Among her proudest achievements is her leading role in Empire of Dirt, which earned her a Canadian Screen Award nomination for Best Supporting Actress and recognition for Best Screenplay, breaking barriers for Indigenous women in the industry.
Beyond her artistic endeavors, Jennifer's passion for empowering Indigenous voices led her to establish The Shine Network Institute in 2020, a Canadian not for profit dedicated to advancing the careers of Indigenous women within the screen, media, and creative arts sectors.
Jennifer continues to build capacity and strive for equity and inclusion of Indigenous people within Canada’s screen sector.
Michael Fraiman is an award-winning journalist and podcast producer who has been published in Men’s Health, Foreign Affairs, The Globe and Mail and Maclean’s Magazine, among others. He is the founding director of The Canadian Jewish News Podcast Network, an audio collective that has drawn more than 1.8 million downloads since its launch in May 2021. Michael lives with his wife and two small children in Niagara Falls, where he sits on the board of the Niagara Falls Public Library.
Sidura is an internationally published writer of books for children and adults. She is the recipient of the Vine Book Award and the Canadian Jewish Literary Award. Her work has been shortlisted for the Danuta Gleed Award, the Carol Shields Winnipeg Book Award and the Little Bird Short Story contest. She has over 30 years’ experience leading creative writing workshops to students of all ages. Her most recent publications are the picture book RISING (Candlewick, 2024) and the middle grade novel SWAN: The Girl Who Grew (Nimbus, 2024). RISING is a PJ Library selection for June 2024 and will be translated into four languages. She received her MFA in Writing for Children and Young Adults from the Vermont College of Fine Arts. Sidura lives in Thornhill, ON with her family.
Jonah Strub is a Toronto-based gay, Jewish artist with a primary focus on sculptural ceramics. Jonah’s work is a love letter to camp, kitsch, musical theatre, Yiddish humour, and drag, centering on gender expression and his own femininity. Through his drag alter ego, Loxanne Creamcheese, a vivacious Jewish superstar, he channels flamboyancy in a bold, undeniable way. His art goes beyond sexuality, addressing queerness beyond love and intimacy, celebrating unapologetic existence. Jonah aims to create dialogue around masculinity, femininity, matzo-balls, and outrageous up-dos using humor, bright colors, animal prints, and body hair, embracing the harmony of his Jewish and queer identities.
Jonah holds a BA in Studio Art from the University of Guelph, specializing in oil painting and sculpture, and discovered ceramics during an exchange in Bremen, Germany in 2019 where he immediately fell in love with the medium. He earned a certificate in Cartooning and Illustration from George Brown College in 2022. In 2023, he participated in the Banff Emerging Artist in Residence Program. Jonah has exhibited around Canada and the world including The Canadian Clay and Glass Museum, Art Gallery of Burlington, The Plumb, The Artist Project, and galleries in Germany and the USA. Alongside his art practice he currently works as a ceramics instructor.
Na’ama Freeman is an independent curator based in Toronto, Canada. In 2024, she joined NAMARA as Curatorial Associate. In her independent practice, Na’ama balances between the corporate art sector, where she oversees art commissioning programmes, and with curatorial work in public art spaces and galleries. There, she has participated in the research, curation, and execution of contemporary art exhibitions and public art programmes at venues including Redhead Gallery, She Said Gallery, NAMARA Project Space, The Power Plant Gallery, Evergreen Brick Works, FENTSTER, Gallery 1313, the Museum of Jewish Montreal, and more.
Community-focused art spaces dedicated to nurturing local and emerging artists are central to her practice. As a testament to this commitment, Na’ama co-founded naka collective in 2021, a curatorial collective geared towards supporting emerging local artists in alternative exhibition settings. Additionally, in 2022, she co-initiated Garden Creative, an arts collective aimed at fostering collaboration and support through creative actions.
Na’ama earned her BA in History and Communications from McGill University in 2018 and went on to complete her MFA in Criticism and Curatorial Practice at OCAD University in 2022.
Photo: May Truong
With a background that includes previous roles at the CBC Museum and a boutique marketing agency, Faye Blum is an archivist at the Ontario Jewish Archives. In her current role, Faye actively engages with the community to acquire archival materials, preserve, and celebrate community history through public exhibitions. Faye is a graduate of York University and is presently pursuing a master’s degree in archives and records management at the University of Dundee.
Celebrated writer Jordi Mand is known for her impactful contributions to theatre, film, and television. Recognized for her profound storytelling, Mand's globally acclaimed plays, including Between the Sheets, Caught, This Will Be Excellent, Brontë: The World Without, and a new stage adaptation of the literary classic Little Women, have been translated and published internationally. Mand has collaborated with many of Canada’s most prominent theatre companies, such as the Stratford Festival, Tarragon Theatre, Theatre Passe Muraille, Nightwood Theatre, the Harold Green Jewish Theatre Company, the Grand Theatre, and many more. She was a writer for the hit CTV drama Cardinal and has participated in numerous development rooms for Canadian television shows. She is a graduate of the National Theatre School of Canada and the Canadian Film Centre’s Bell Prime Time TV Program. Upcoming: Jordi has new plays in development with the Stratford Festival and the Harold Green Jewish Theatre Company. Mand resides in Toronto with her husband, daughter, and a cat who eats way too much.
Jaclyn Grossman is a soprano and administrator passionate about fostering community and connection in opera. Jaclyn’s 24/25 season includes role debuts as Brünnhilde (Die Walküre) with Edmonton Opera, Nedda (I Pagliacci), and Nella (Gianni Schicchi) with Opera Kelowna. Recent credits include the soprano soloist (Beethoven's Ninth Symphony) with the Buffalo Philharmonic with conductor JoAnn Falletta and Freia (Das Rheingold) with Edmonton Opera.
A proud co-founder of Likht Ensemble, Jaclyn is passionate about sharing music by Jewish artists from the Holocaust and educating about Jewish representation in opera. As a dramatic soprano, she is eager to explore the intersection of the Germanic repertoire and voices silenced during the Holocaust. Likht has shared concerts and lectures with organizations such as the Canadian Opera Company, the Chattanooga Symphony, Pacific Opera Victoria, and the Harold Green Jewish Theatre Company.
Currently Programs Manager with Toronto’s Opera 5, Jaclyn created and managed a national Fellowship/Mentorship program and the LINK Artist Workshop Series for the Association for Opera in Canada. She founded the Phoenix Leadership Project, a Canadian charity for youth leadership training, and has been a featured speaker with Opera InReach, TedX McGill, and the Marigold Music Program. Jaclyn completed her training at McGill University with residencies in the Rebanks Fellowship (RCM), Pacific Opera Victoria, the Banff Centre for Arts and Creativity, and Britten Pears Arts.
Miriam Borden is a researcher and translator of Yiddish. She is a PhD candidate at the University of Toronto working on the way Yiddish folklore—everything from jokes to children’s doodles to lullabies— and the folklore we still create about Yiddish shapes the way we’ve understood Jewish life before the Holocaust and since. She is also a historian of Yiddish in Toronto: she has done exhibitions of Yiddish books, she leads walking tours of Kensington Market, and she posts a #YiddishWordoftheWeek for @ontariojewisharchives every Tuesday.
Orly Zebak is the managing editor at Brick, A Literary Journal, and cofounder of Niv magazine. She writes, plays, and makes things in Toronto.
Zev Moses is the director of the Museum of Jewish Montreal. A graduate of McGill University with a B.A. in Political Science and History, Zev went on to complete his Masters in City Planning at the University of Pennsylvania. Inspired by Montreal's diverse Jewish history, and responding to a lack of engagement opportunities for Jewish young adults, he founded the Museum of Jewish Montreal in 2010. The Museum recently moved into its newest building in the Mile-End district and is home to art exhibitions, cultural and social events, as well as walking tours and food tours that showcase Montreal's Jewish heritage.
Julie A. Lockhart has been performing in theatre dybbuk’s productions since its inception; you may also have heard her voice on The Dybbukast. National: The Buddha Prince (Minneapolis, New York, Pasadena); Darkling (Off-Broadway). Los Angeles: multiple shows with Theatre Movement Bazaar and Sacred Fools; Blood Red Lost Head Dead Falcon: The Nibelungen with collision/theory. Film: multiple pieces for experimental animators, visual artists, and multi-media theatre. Julie holds a BS in theatre from Northwestern University.
Sharoni Sibony is a community weaver and organizer, artist, and educator across multiple disciplines. You can find her at (or bring her to) venues around Toronto with her mobile Art Cart– a treasure trove of mixed media materials that she takes on the road to teach creative process as a spiritual practice. Following her fellowship in the ATIQ: Jewish Makers' Kollel, she trained as a creativity facilitator with the Jewish Studio Project out of Berkeley, CA. You can listen to her guest spot on the Judaism Unbound podcast, where she discusses Jewish ritual, disability, and art.
Jessica Waks is the Associate Director of Digital Activism on the Countering Antisemitism team at UJA of Greater Toronto. She has worked in a variety of industries, from design and publishing, to communications and social media. She enjoys creating content that celebrates her passions for all things food, lifestyle and Jewish community.
Avery has been in the business going on 44 years. His start in 1978 was at the Shaw Festival and has never been out of work since.
As an actor he has played most stages across Canada, many American regionals, Broadway, Lincoln Centre, Covent Garden, London's West End and did many a musical theatre in concert in Wales, London, Vienna, the 50th Anniversary of Guys and Dolls at the Royal Albert Hall and had a rare opportunity to record Man of LaMancha at Abbey Road in London
In 2008. with good friend David Eisner, they founded the Harold Green Jewish Theatre Company. This not-for-profit is one of two professional theatre companies in Canada that devote themselves to telling the Jewish story. This coming season is their 17th, and they look forward to many more successful years ahead.
Naomi Harris (b. 1973, Toronto, Canada) is a documentarian of interesting cultural trends. Monographs include “America Swings” (TASCHEN, 2008), documents the phenomenon of the lifestyle; “EUSA” (Kehrer Verlag, 2018), a reaction to the homogenization of European and American cultures through globalization; and “Haddon Hall” (Void/Masa Books, 2021), her first and oldest photo project, where she followed the last remaining elderly snowbirds in a Miami Beach hotel at the turn of the millennium. Her performance piece 'I, Voyageur: In Search of Frances Anne Hopkins' investigates female artists’ role in the art world. Dressed in 19th century period costume, she canoed for 70- days retracing the British painter’s 1867 journey along the fur trader’s route.
In 2018, having lived in America for 22 years, she returned to Toronto after her father broke his hip. Eight months later she became her mother’s caregiver as well following a cancer diagnosis. This experience informs her ongoing project “The Indecency of Mourning,” a study into western society’s aversion to death and grief. During the pandemic she received her MFA in Studio Art from the University at Buffalo. Currently she’s exploring pottery, managing burnout, discovering the joys of being an executor and figuring out life after caregiving.
Toronto-based R&B/pop artist Erez Zobary has a timeless voice, in more ways than one. Raised on Stevie Wonder and Amy Winehouse, Erez’s soulful vocals echo the sounds and styles of her youth. Lyrically she is raw and uninhibited, writing openly about universal, yet highly personal, feelings of self-worth, uncertainty, and vulnerability. Combined with her down-to-earth sense of humour and natural charisma, which she displays online and onstage, Erez engages with a growing fanbase who resonate deeply with her message of empowerment, and find joy and connectivity in the community she has fostered.
Erez has played to audiences across the country, from sold-out shows at venues like Lee’s Palace and The Danforth Music Hall in Toronto, to packed theatres at TEDxQueensU in Kingston, and the National Music Centre in Calgary, as a participant in the RBC Master in Residence Program. In 2019, Erez was selected by HoneyJam as one of Canada’s up-and-coming female artists, and has since opened for the billboard-charting bands like Lawrence and Sammy Rae & The Friends. In support of her latest album, Starlight, Erez performed at Rockwood Music Hall in NYC, Highlands Music Festival, and at the Toronto International Jazz Festival.
In November, Erez will release her self-titled album, a name that in Hebrew fittingly translates to "Cedar Tree." The nine-song project blends Zobary's signature sound with the music of her roots: Yemenite, Hebrew, and English phrases sung to soulful melodies; traditional Middle Eastern instruments like buzuq and oud played over contemporary R&B guitar, drums, and bass; and deeply personal lyrics that honour the singer's heritage and her own experiences as a Yemenite Jewish woman in present times.
Mandolinist, bassist, bandleader, arts curator and producer, Eric Stein has been a prominent figure in Canada’s folk, roots and world music scene for 25 years. As founder/leader of various ensembles, including Beyond the Pale and Tio Chorinho, he has toured internationally and released multiple award-winning albums. Eric has served since 2006 as Artistic Director of Toronto’s biennial Ashkenaz Festival, one of the world’s largest celebrations of global Jewish music and culture.
Alysa-Beth Engel is an artist, writer, and yoga instructor. Her visual art is informed by Jewish identity, motherhood, and her thirty-year meditation and yoga practice. Alysa serves as an Artist Board Member of Open Studio in Toronto, where she was previously the archivist and sales manager. She has curated several exhibitions, was an art consultant at a commercial gallery, and was a contributing writer for D.A. published by the Porcupine’s Quill. While living in London (UK), Alysa worked at Sotheby’s and had a painting studio in Battersea. Alysa studied printmaking at Queen’s University, where she was the Studio Technician and earned the Queen’s Appeal Academic Scholarship. She learned intaglio at the Santa Reparata Studio in Florence (Emily Carr). Alysa is a member of the Authors Guild (USA) and Print London (ON). Her art has been exhibited nationally and abroad and is included in corporate, public and private collections. https://www.alysaengel.art
Edith Barabash founded Edie's Art Shop in 2022. At the time, she was working as a lawyer in the west coast of Canada, and wanted to bring representation to a city that had a very small Jewish population. She creates modern, unique art and jewelry as a way to showcase some of the beautiful aspects of Jewish culture.
Josh is a Toronto/LA based writer. He was the supervising
Producer and writer on the one-hour hit drama MOONSHINE on CBC.
He has also written the new PEANUTS holiday special, It’s The Small Things, Charlie Brown for Apple, Pete The Cat for Amazon, and was the head writer of Inspector Gadget on Netflix. Josh’s short film Shiva was an official selection of Fantasia Film Festival, the Oscar qualifying Hollyshorts festival, and Austin After Dark. He’s currently developing a graphic novel with Skybound Entertainment, (who make the Walking Dead) and a horror film with cineflix, and a stop motion movie with Aircraft Pictures
to come
to come
Sam Mogelonsky is a Toronto-based artist, curator, and cultural professional. She is the Director of Arts, Culture and Heritage at UJA Federation of Greater Toronto. She develops programming and support for Jewish artists and creatives across the city through the Kultura Collective, a network of Jewish arts organizations that celebrate and amplify Jewish culture.
She received a BFA from Queen’s University, Kingston, and an MA from Central Saint Martins College of Art in London, UK. For her artistic and curatorial practice, she has received grants from the Toronto Arts Council, the Ontario Arts Council, and the Canada Council for the Arts. She has exhibited in Canada and internationally, as well as curated projects for public institutions.
Rachel Libman is Chief Curator of the Toronto Holocaust Museum. Actively engaged in the field of Jewish and Holocaust museums, she oversees content development of the physical exhibit and digital components, networks with stakeholders, and strives to ensure that the Toronto Holocaust Museum represents the cutting-edge approaches in pedagogy and audience engagement with our curatorial strategy and interactive technologies. An experienced programming professional, Rachel creates accessible opportunities for publics to engage with Holocaust education and remembrance that are rooted in history, best practices, and new approaches in the field. She previously oversaw the annual Neuberger Holocaust Education Week for ten years and planned community commemorations, lectures, film screenings, temporary exhibitions, symposia, and travel experiences for a diverse audience. Rachel has a Masters in History and a Masters in Museum Studies from the University of Toronto.
Hanna Schacter is the Programs & Curatorial Associate at the Toronto Holocaust Museum. She has a Bachelor’s degree in Art History and a Master of Museum Studies with a collaborative specialization in Jewish Studies. At the Toronto Holocaust Museum, she develops and implements programmatic offerings, including commemorative programs, film screenings, lectures, cultural programs, and oversees the annual Holocaust Education Week. She also supports the ongoing curatorial efforts including the core exhibition, community outreach initiatives, collection development and interactive technologies. She is a creative and versatile programming professional and aims to share accessible Holocaust education and remembrance opportunities with diverse audiences.
Shayna is thrilled to join the JCC family as the new Manager of Theatre and Exhibits Curation. With a background in film and television, Shayna has previously worked on kids and family shows including Paw Patrol, Yo Gabba Gabba and Teletubbies.
to come
Join theatre dybbuk for a movement workshop as we come together and start the day.
With: Aaron Henne and Julie A. Lockhart
Unknown futures are always unfolding, emerging, and revealing themselves in stages. A voice from antiquity, the voice of Ben Bag Bag, speaks to us across time and invites us into a way of orienting ourselves in life, in relationships, in creativity: “Turn it and turn it for everything is in it” (Pirkei Avot 5:22). In this session, we’ll use the Jewish Studio Process — a combination of textual inquiry and hands-on creative process — to uncover how our life, our work, our identity, our relationships, our art might change as we continuously ask the question embedded in the phrase, “Hafoch bah” — What else could this be? Please come prepared to participate in discussion and creative process. Art materials will be provided.
With: Sharoni Sibony
Participants can present project ideas and receive supportive feedback from cultural producers. Note – our “dragons” are friendly!
With: Zev Moses, Orly Zebak, Michael Fraiman, Eric Stein, Avery Saltzman
How do creatives use Yiddish language and themes to inspire their work.
With: Miriam Borden, Jaclyn Grossman, Jonah Strub, Naomi Harris
Jewish creatives share insight on how they infuse Jewish ideas and identity into their personal and professional practices.
With: Edith Barabash, Erez Zobary, Jordi Mand, Josh Saltzman and Sam Mogelonsky
Our programme will begin with grounding through gentle movement and guided meditation followed by playful art making activities. All are welcome including curious, absolute beginners. Seating and art materials will be provided.
With: Alysa-Beth Engel
A conversation about how to capture narratives in our backyards and tell local Jewish stories today.
With: Jess Waks, Faye Blum, Sidura Ludwig, Na’ama Freeman
A conversation with thought leaders on how examining often difficult events of the past can inform our present and inspire the future.
With: Aaron Henne, Jennifer Podemski and Dara Solomon
The Toronto Holocaust Museum inspires visitors to think deeply about the tragedies of the Holocaust and make connections between this history, world events, and contemporary Canadian life.
The Toronto Holocaust Museum is a space for education and dialogue about this vital history and its ongoing relevance. The Museum serves as a powerful and growing force against antisemitism, bigotry and hatred in all its forms. Our state-of-the-art facility is the premier destination for Holocaust education in the city showcasing cutting edge technology, including interactive Holocaust survivor testimony stations at the core of each exhibit space and augmented reality tablet tours. The Museum deepens the public’s knowledge and understanding while, inspiring visitors to think critically about the tragedies of the Holocaust and to make connections between the Holocaust, world events, and contemporary Canadian life.
In celebration of its 50th anniversary, the Ontario Jewish Archives (OJA) is pleased to present its newest exhibition, the OJA’s “50th Anniversary Scrapbook.” Through the beautifully illustrated display of archival records, the exhibition guides visitors on a journey to discover the diverse experiences and achievements of Ontario’s Jewish community, and to consider the central role of archives in preserving and connecting us to those stories.
Now, the largest repository of Jewish life in Canada, the exhibition demonstrates the depth of the collection, and features fifty stories from the thousands of individual record donations that have contributed to the archive’s remarkable evolution and growth.
theatre dybbuk creates provocative new works that blend physical theatre with poetry and music for exciting, utterly singular live events. The company explores the rich world of Jewish history, building lyrical performances that illuminate universal human experience for contemporary audiences. With an in-depth development process that can range from a few months to three years, Artistic Director Aaron Henne builds each piece with a cast of dedicated professional actors, designers, musicians, and scholars.
The resulting works, from the dark and visceral dance theatre of cave… a dance for lilith to the shadowy and immersive hell prepared: a ritual exorcism inspired by kabbalistic principles, performed within a dominant cultural context, are challenging and beautiful to behold.
Learn more at www.theatredybbuk.org
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theatre dybbuk will be completing a residency with the Museum of Jewish Montreal from November 14-18, 2024 as part of their Canadian tour before arriving in Toronto.
For more information on events in Montreal please click here.
Wednesday, November 20 from 7 PM – 9 PM, Toronto Holocaust Museum
Tickets: $12
Get a sneak peek at theatre dybbuk’s next project, in which they investigate Bram Stoker’s Dracula, weaving together their unique blend of historical investigation and heightened theatricality to create a new work from the core of the novel. The project, set to premiere in Los Angeles in September 2025, explores such questions as: How do long-held prejudicial beliefs show up in a popular novel from England written at the turn of the 20th century, and in what ways do those beliefs still operate today? To what extent can perceptions of antisemitism, racism, and xenophobia be deemed as accurate and true, and how much is in the eye of the beholder?
Thursday, November 21 from 7 PM – 9 PM, Leah Posluns Theatre, Prosserman JCC
Tickets: $25/$18 (plus fees)
theatre dybbuk specializes in using historical narratives that intersect with considerations of identity and heritage to illuminate the forces at play in our contemporary societies.
In this workshop, the artists of theatre dybbuk take participants through a process in which they gain tools to investigate their own personal and/or communal narratives, texts, and turning points as vessels to create new theatrical work that explores the complexities of our world.
This session uses a combination of writing, vocal work, and movement-based techniques.
Saturday, November 23 at 2 PM and 7:30 PM, Leah Posluns Theatre, Prosserman JCC
a theatre dybbuk production written and directed by Aaron Henne and developed with the ensemble
Tickets: $36 (plus fees)
What can a play from sixteenth century England tell us about how antisemitism and other prejudicial beliefs operate in our world today?
theatre dybbuk’s latest theatrical production brings together elements of William Shakespeare’s The Merchant of Venice with Elizabethan history and news from the 21st century to expose the underbelly of the classic play. The multidisciplinary work takes a kaleidoscopic view of the ways in which members of a society displace their fears on the “other” during times of upheaval.
The Prosserman JCC and the Toronto Holocaust Museum are located on the Sherman Campus in the Sheff Family Building, Charlotte & Lewis Steinberg Family Cultural Pavilion at 4588 Bathurst Street, west of Bathurst between Sheppard Avenue and Finch Avenue. At the stoplight, turn onto the campus.
This event is for Jewish artists, creatives, and cultural workers, or those who produce cultural content with Jewish spaces.
Participants will represent the spectrum of Toronto’s cultural scene, including visual arts, theatre, film, music, dance, writing, curatorial, arts administration, museums, and heritage.
Not sure if this event is for you? Please get in touch with us at info@kulturacollective.com
Tickets for the Jewish Futures event on November 24, 2024 are $36 (plus processing fees) to attend.
The other events and performances during theatre dybbuk’s residency are priced separately
If you require a subsidy to join the event, please email us at info@kulturacollective.com
We will be holding this event entirely in person. It will not be recorded or live streamed.
Yes, there will be security at the event. When you enter the Prosserman JCC, you will be asked your reason for visiting and to show your ID as well as your ticket for the event.
Security monitors the Sherman Campus and will be on site all day.
Once you have entered the campus, make a right and follow the road to the security booth. Inform the security you are dropping off for the Prosserman JCC and they will direct you to the drop-off layby to your left.
Yes, and it’s free.
Once you have entered the campus, turn left and follow the road. Check in at the security booth and inform them you are visiting the Prosserman JCC. You may be asked to verify your proof of ticket purchase. After security has admitted you, visitor parking will be available.
Buses will drop you off on Bathurst Street, just south of the Bathurst Street entrance to the building. Proceed onto the campus by foot on the west side of the street and enter through the main doors of the Prosserman JCC facing Bathurst Street.
Yes, all refreshments and dinner will be certified kosher from Eisenburg’s. Please let us know any dietary needs upon registration.
Yes. The Sherman Campus is wheelchair accessible. When you register for the event, please note any accessibility needs and we will do our best to accommodate you.
Yes. You are welcome to join for only a part of the program. However, we cannot offer a discounted ticket price.
No. We are unable to provide childcare during the event.
No, we cannot offer a tax receipt for event tickets.
If you are interested in supporting the event, please email info@kulturacollective.com
We are grateful to our partners and supporters.
UJA will be filming and/or taking photos of you and/or your dependent(s) during this event. Through this content, we hope to promote UJA’s fundraising campaigns, which will ultimately help us help those in need. By purchasing tickets, you give UJA the absolute right to and/or permission to publish your photo or video in the following manners:
You understand that UJA will own all rights, including the copyright to any photos and videos. You hereby waive any right that you may have to inspect and/or approve the finished product that may be used in connection therewith, or the use to which it may be applied.
Following the event, a short feedback survey will be sent to registered participants by UJA Federation of Greater Toronto.
Not sure if this event is for you? Have a question about the program? Do you require a subsidy to attend? Please send us a note below or get in touch with us at info@kulturacollective.com
Presented by: Kultura Collective, Prosserman JCC, Toronto Holocaust Museum, UJA Federation of Greater Toronto, and theatre dybbuk
Programming Partners: CANVAS, The Azrieli Foundation, the Covenant Foundation, and the UJA Federation of Greater Toronto Jewish Foundation
Promotional partners: Museum of Jewish Montreal, Niv Magazine and The CJN’s Culturally Jewish podcast